Executive Music Producer and Composer

Elliott Wheeler excels at the pressurised heights where contemporary music and film fuse. He’s as adept at bringing diverse artists – from Nas to Bryan Ferry – into synch with the complex demands of music-driven visual tours de force, as he is working on period needle drops and mixes, or composing traditional dramatic scores.

Wheeler has a unique ability to bring varying talents, eras and idioms into coherence with an overall vision. That’s been honed in his work as composer and executive music producer with Baz Luhrmann – most notably on the genre- and era-defying film The Great Gatsby, the Netflix series The Get Down, the Ship Song Project for the Sydney Opera House, the romantic fantasy drama Every Day, directed by Michael Suscy and starring Justice Smith, and the eight-time Oscar nominated, Baz Luhrmann-directed ELVIS biopic starring Austin Butler and Tom Hanks. Recent projects include the David Wenham feature Spit, and the series Good Cop, Bad Cop, and Optics.

Elliott is the recipient of countless international screen composition awards as well as a Grammy nomination, and his work can be heard in projects the world over.

Music Editor, Music Producer, Mixer and Composer

Jamieson works in the worlds of both film and pop music. Combining his knowledge of contemporary music with a keen understanding of how musical texture and tone serves storytelling, he has crafted music for countless film, television, and advertising projects. These include Baz Lurhamm’s ELVIS, and The Get Down, the Wil Ferrel and Ryan Reynolds Christmas musical Spirited, and Garrett Bradley’s Oscar nominated feature documentary TIME. Most recently he has completed Furiosa and MInecraft as Supervising Music Editor.

He has also worked on music for some of the biggest artists in the world including; Stevie Nicks, Nas, Grandmaster Flash, Chris Isaak, Christina Aguilera, and Michael Kiwanuka.

Jamieson has been the recipient of many international accolades including three Golden Reel awards for excellence in Music Editing, and a Grammy nomination for his work as a producer.

Music Editor

Rose Mackenzie-Peterson is an emerging screen composer and music editor based in Sydney, Australia. She holds a Bachelor of Sound and Music Design from UTS and is adept in both the technical and creative aspects of shaping musical narratives for screen.

Beginning her career in film score recording and engineering, Rose worked on a myriad of recording projects across countless genres and sizes, before shifting her focus to composition and music editorial. She has since contributed to a range of film and television projects, providing additional music and assisting established composers across various styles. In 2023, she was selected as one of two recipients of the AGSC’s Credit Maker program, which placed her as an additional composer on the Stan series Wolf Like Me. Her recent work includes assistant music editing for Furiosa: A Mad Max Saga, as well as additional composition for Strife (Foxtel/Binge) and Addition (Feature).

Producer

Carla is a seasoned producer, adept at partnering with creative clients to bring their projects to life across a wide range of disciplines.

With over a decade of experience spanning film, events, and advertising, she possesses an intuitive understanding of the intricate mechanisms that underpin successful productions, from overarching strategy to the meticulous execution of minute details. Engaging and personable, Carla views the collaborative environment of her work as the vital core of every production.

Carla has produced films of both long and short format and screened at festivals around the world including the Toronto International Film Festival, Sydney Film Festival and New York Film Festival. Her time at Turning Studios has seen her collaborate on high profile campaigns for clients such as Qantas, Audi and the iconic Sydney Opera House.